Willem De Kooning – Hilton Als

From the 1949 Italian film “Bitter Rice.” Photograph from Masheter Movie Archive / Alamy
Painting “Excavation” by Willem De Kooning in 1950.

Images and quote taken from the article titled Body and Soul by Hilton Als, found in the September 14, 2026, print issue of the New Yorker magazine about a current exhibition of Willem De Kooning’s drawings at the Art Institute of Chicago.  Als wrote that “The artist [De Kooning] said that “Excavation” was inspired by the neorealist Italian film “Bitter Rice” (1949), a depiction of workers in northern Italy which is dominated by the bodies of women.”   The same article is in the New Yorker newsletter of September 11, 2026, with the title Willem De Kooning’s Excavations of Intimacy.  [Click on either image to enlarge.]

De Kooning was a central figure in the Abstract Expressionism school of painting that began in the United States in the 1940’s.  It was responsible for New York becoming the new center of the international art world.  I have always thought these works were ugly and indecipherable.  But here is what William C. Seitz,  American artist and Art historian had to say about the movement: “Abstract Expressionists value the organism over the static whole, becoming over being, expression over perfection, vitality over finish, fluctuation over repose, feeling over formulation, the unknown over the known, the veiled over the clear, the individual over society and the inner over the outer.”  Alright.  My taste still runs in a different direction.

Gloria Steinem’s Final Essay

Gloria Steinem  [Click to enlarge]
Excerpt from the New Yorker magazine’s Special Edition of their newsletter, September 3, 2026.  Steinem, age 92, passed away on September 2, 2026.  This essay encapsulates the wisdom gained from her 50 years as a champion of equal rights for women.

“. . . For me, saying that I am a feminist has always meant that I believe in the social, economic, and political equality of all males and females of all races and groups. I know this sounds too simple to need a word, but equality is still the exception, not the rule.

Maybe we should call it egalitarianism, or even humanism. The problem with humanism is that it is often interpreted as being anti-religion, so I don’t think it’s inclusive enough. Regardless of what we call it, it just means treating each of us as uniquely human. The experiences of race and gender and class are very real and important, but they are also constructed and changeable. Our humanity is consistent and sacred. . . . “

To Dare – Jón Kalman Stefánsson

Iceland. [Click to enlarge image.]
From Trilogy About the Boy, by Jón Kalman Stefánsson

What does it mean to betray yourself?

*  *  *

To dare not.  To dare not speak. To dare not be afraid. To attempt not to overcome . . . the dark storm inside you. If you do nothing, you betray everyone who matters. … Nor should you betray those who are dead; we should live for them, as well, they mustn’t be left in the dark and cold, and they mustn’t be forgotten at the bottom of the sea.”

Emerald Drifter – Cig Harvey

Gold Road © Cig Harvey
Madeleine & Blue © Cig Harvey

NEW YORKER Magazine Newsletter April 19, 2025, article by Ocean Vuong about the photography of Cig Harvey in Emerald Drifter  [Click on either image to enlarge]

“. . . Emerald Drifter is a rallying cry to exist in our bodies, where all the senses encounter the world. Viewing these images brings to mind an anecdote I once heard and think of often in relation to art: French colonizers, upon arriving in Vietnam in the nineteenth century, were aghast to see gold-clad Buddhas and stupas, porcelain and jade vases and statues, left in the open air, for anyone, even beggars, to touch. How can a people’s finest enaction of craft be left so unguarded, they wondered. Quickly, the conquerors dislodged these treasures and locked them in vaults to be sent back to the empire’s capital and displayed in museums as “relics.” What does it mean to be so frightened by beauty’s power that it must then be plundered and removed, caged? I’ve seen psychological research suggesting that, for some communities in Asia, the touching of religious artifacts has medicinal results that rival the effects of psychotropic drugs. In other words, it reaffirms what artists have known for centuries, and what Harvey so deftly reveals to us here: that beauty, despite being degraded by commerce, or shunned as merely decorous, feminine fussing, heals.”

Mastery – Tao Te Ching

Elkhorn Crest Trail, Baker County, OR.  [Photo Copyright Max Vollmer, Click to Enlarge]
“The Master doesn’t seek fulfillment.                                                                 Not seeking, not expecting,                                                                                    She is present, and can welcome all things.”